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Brad Dourif as Sheriff Leigh Brackett. Tyler Mane as Michael Myers. Daeg Faerch as Michael Myers young. Sheri Moon Zombie as Deborah Myers.
William Forsythe as Ronnie White. Movie Tags: mask escape psychopath duringcreditsstinger thriller sadism babysitter.
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Upcoming SlideShare. It makes him an average movie serial killer: a guy with a messed up life as a kid who snaps one day and goes on a killing rampage.
Is it scary? At first. And if it were a movie about a serial killer, it would work. But it's not. This is a movie about a monster, a soulless creature; a boogeyman, as per the original film.
Monsters aren't scary when we know they're flesh and blood. Carpenter had a way of framing the action in the original movie.
Michael stalks Laurie in her hometown, but we never see any real flesh behind the mask, we never really see him moving around like a normal human being.
But we do here. He stands in the middle of an open road, in front of three teenage girls walking home from school, and they all see him.
He stands there for a few moments, then trudges away off-screen. We actually see him walk away, instead of just appearing and disappearing as he did in the original film.
Which method is scarier? The answer is clear. Zombie spends 40 minutes or so building up Michael's character before he escapes from the ward.
We see him killing animals as a child and torturing them, too , a stupid subplot with his mom as a stripper and a typical school bully, and a promiscuous sister.
The sexual talk is frank and disgusting - the mom's boyfriend husband? It's just shock for shock value.
Zombie has a tendency of this - blunt violence and blunt dialogue combined - and in a film like this, it seems cheap and fake and unnecessary. The heavy emphasis placed on the swearing - and I mean this literally as in, the actors place a noticeable emphasis on the profanity they use is almost unintentionally funny.
Zombie cast his wife in the role of Michael's mother, and she can't act at all. Donald Pleasence got stuck with the most unfortunate lines from the original film, but we were willing to forgive bad dialogue because of how well-made the film was otherwise.
Here, Malcolm McDowell gets the worst of two worlds: he gets to handle an under-characterization with bad, bad, BAD dialogue AND a generally weak film to boot.
The "intimate" scenes at the mental ward between Loomis and Michael are awful. Richard Propes. Zombie's version features a fascinating opening hour, but ultimately falls apart in the second half, with too many scenes failing to live up to the high standards of the original.
Micheal Compton. It's not thrilling enough for horror hounds, not entertaining enough for casual audiences, not smart enough for franchise fans and not good enough for anyone.
Sean Collier. Driven by the loving memory of the original, without the intention of eclipsing it. At a time when most horror remakes seemed aimed at a teen market, Zombie's vision was decidedly more hardcore and uncompromising.
Matthew Lucas. Rob Zombie certainly has a unique vision for the Michael Myers myth, albeit one that undermines the haunting ambiguity of Carpenter's original.
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